شعر المناجاة عند محمد إبراهيم ميماسا وأبوبكر الصديق صلاح الدين أبرغدوما دراسة مقارنة
DOI:
https://doi.org/10.63991/IMJAS.4125.0006Abstract
The religious left behind by the attempt of the Muslims in West Africa to expand a religious territory and their enthusiasm is what flooded the minds of the writers and emanated from them the sacrificial spirit which instilled in them religious aspirations until they preserved for Islam the immortal Islamic Poetic repertoire at the beginning of spreading the religion. On this situation, the successors built their literary movements until they did not separate from beginning religious tendencies to what they wrote of the poems for their different familiar purposes. The monologue poetry means the mystery to be solved or conquered stems from a belief that the point of Arabic poetry, but rather they are basis on which the purposes and feelings are built in such a poetic direction. Most of these nations irritating the religious spirit in the mouths of poets and authors’ collections are confined to religious feelings. This study will critically look into study and analysis of some monologue poetry of Muhammad Ibrahim Maimasa and Imam Abubakar As-Sideeq Bin Salahudeen Agbarigidoma, in different areas of artistic pattern, while the artistic component and features embedded in the poems would be appraised in the areas of emotions, ideas, styles and imaginations, languages, language patterns, prosodic, use of words, feelings and meanings. A Descriptive approach is adopted in this study, while the comprehensive discourse analysis is used in appraising all the artistic values of the selected poems critically.